This was the first ever public exhibition by PhD students in the print-making department of the Faculty of Fine Arts at the University of Belgrade. The three exhibitions highlight the sophistication with which old and new print methods are being used (and often combined) while the prints themselves demonstrate how the process of print-making is always integral to the conceptualisation of the subject. Shown here, from the top down: Bojan Otasevic reworking themes relating to Durer’s Melancolia in explosive pictorial colour; Danja Tekic’s lithographies (one of six) achieving a subtle interplay of abstract form and tonal hue; Jelena Sredanovic’s monumental wood-cut, minutely worked of celestial heights and Milena Maksimovic using thin rice paper to aquatint human-animal dualities and opposites. The display is huge and was organised across several venues in Belgrade (Galerija Grafički, Galerija Fakulteta Likovnih Umetnosti, Galerija Akademia). Parts of the show are travelling onto Bosnia and can be seen at the Gallery Prijedor in Prijedor, Republika Srpska from mid July to mid August 2014.